Sunday, December 1, 2013

edited



One day, he’s going to know. He’ll know your birthday, your middle name, where you were born, your star sign, and your parents names. He’ll know how old you were when you learned to ride a bike, how your grandparents passed away, how many pets you had, and how much you hated going to school. He’ll know your eye colour, your scars, your freckles, your laugh lines and your birth marks. He’ll know your favourite book, movie, candy, food, pair of shoes, colour, and song. He’s going to know why you’re awake at 5am [some] nights, where you were when you realised you’d lost a good friend, [and] why you [so much]. He’s going to know your phobias, your dreams, your fears, your wishes, and your worries. He’s going to know about your first heartbreak, your dream wedding, and your problems with your parents. He’ll know your strengths, weaknesses, laziness, energy, and your mixed emotions. He’s going to know about your [childish] loves for [that one stuffed animal and otter pops], your dream of being [a] famous [writer], your need to quote any film [and any show] you know all the way through, and your fear of growing older. He’ll know your bad habits, your mannerisms, your stroppy pout, your facial expressions, and your laugh. The way you chew, drink, walk, sleep, fidget and kiss. He’s going to know that you’ve already picked out wedding flowers, baby names, and the colour of your bedroom walls. He’s going to know, get annoyed at, and then accept that you leave clothes everywhere, take twenty minutes to order a Starbucks, and check your horoscope… just incase. He’ll know your [In'n'Out] order, how many sugars to put in your tea, how many scoops of ice cream you want, and that you need your sandwiches [to be microwaved]. He’s going to know how you feel without you telling him, that you need a wee from a look on your face, and that you’re crying without tears. He’s going to know all of it. Everything. You, from top to bottom and inside out. From learning, from sharing, from listening, from watching. He’s going to know every single thing there is to know, and he is still going to love you.


Monday, November 25, 2013

For Emilie, and every teenager who is better than they believe

For Emilie

I’ve known you,
I’ve known you to be gentle
To fog up the glass with your breath
And let it fade on its own

I’ve known you,
I’ve known you to be sharp
But only with yourself    and constantly
You’d never talk to anyone like that, the way you do to yourself

I’ve known you,
I’ve known you to be sad
Always looking for something to spoil it
Pressing hard, on the apple, that had no bruises

But I’ve known you,
And I know you too well
Because you are too lovely and too good
To be afraid of happiness, happiness will always find the brave

Because I know you,
So I know you will get hurt
I know you will feel scared
I know you will fight and fight and fight

So,
I know,
You will win

The brave always win.


Thursday, November 7, 2013

My Dad

My Dad
to my dad, on his birthday
this is what I know:



You used to come into our room
Julia and me
And tell us one fact

“Tell us a fact!”
“Tell us a fact!”
You would always abide

But today,
on your birthday,
I realized something:

Every night, you told us two

Perhaps one about animals
space, people, or plants
and then you would say:

“Alright, goodnight, I love you girls

So there were two facts for us;
one stacked up, out of a book
or snipped, from a magazine

And your own indisputable sentiment,
next to that one sensible fact
– both buttoned up in our heads –


So to be fair to you, my dad
(an avid fan of fairness)
I have some facts for you:

You were the tallest man
in the world
when I was 5

You knew everything
I needed and hated to know
about math, always

You made me brave
and strong enough to love
myself, and others

You were the safest place to be,
and still are
when I’m terrified

of the dark,
or growing up,
or the unknown in general


And:
I love you
I love you
I love you

One last fact,
three times

to my dad.

Monday, October 28, 2013

Found Memories: Movie Review



★ ★ ★ 

While the film moved slowly, it moved the way the people in it did. It was soft, and unassuming, and somewhat eerie like the village. It was old like the village; it was a conceptual culmination of things. I loved the ritualistic tone of it, of the sweet Madalena making bread for Antonio's coffee shop every morning. Every day even until the very end she crosses the railways, she cleans up the gate of the cemetery, she listens to the priest's sermon, and she has lunch with her friends. In the movie she shows and remembers the image of her dead husband, and finds his memory again and again each night. She is tired and riddled with routine until the arrival of Rita, a young photographer who is arriving in the ghost village of Jotuomba, Rite seems so awaken Madalena in a place where time seems to have stopped in some ways. They grow quite close and through this we learn about Madalena, and about her routine - and the way that routine is so much more than what it appears. Everyone in the village has a job and a routine, making the village itself a sort of permanent, independent system - forgotten by the rest of the world. However, in this odd self-sufficient structure there seem to be secrets, and the sense that not only the old people, but the way of life is dying. That's what makes the little mundane tasks so fascinating - specifically, Madalena's refusal to stack the bread the way Antonio instructs her to. This small act of defiance seems to be one of the only conscious choices she makes in a day and it is absolutely the only act of rebellion she has, possibly the only act of rebellion in the movie. The ever-ticking clock in the town intensifies the importance of each little act in particular, to me, was especially poignant. In a dying village it matters to laugh. It matters to never stop living. It matters to find joy and to teach every generation to find joy, even in minute act - even in the littlest details.

Sunday, October 27, 2013

The Guilt is Real


Visible Weight
model: Julia Peek

I’ve got to let the monsters out
or they’ll eat my insides:

If I let them stomp around on paper
they’ll stop their stomping in my skull

I’ve got to let the aching be real
or I’ll lose my mind:

If I hit the walls so my knuckles go blue
then it will only hurt for a while

I’ve got to let the noise out
or I’ll stop hearing things at all:

If I scream till my lungs are empty paper bags
it might be still for once in my chest

I’ve got to sort some things out
or the invisible weight crush my spirit:

If I make the invisible things in me pictures
I might start to see what’s the matter with me.

Saturday, October 19, 2013

Undeniably Human

  

   
     Is there anything more indestructible than a grandfather? Is there anything more permanent than grandpa, outside, on the porch with a cigarette – or grandpa rocking, constantly back and forth in that chair?  They aren’t weak like you and me. They didn’t have such soft parents, or the same things to fill up their days. They didn’t have the same TV shows, or words, or routines. They grew up fast. They fought in wars, they’ve seen death, they’ve killed, and they still managed to start families – to provide for families – like they were taught by their fathers, and grandfathers, and every man before that. They were taught to be tough, taught to hide and keep things hidden. Taught to talk less, want less. Grandfathers aren’t like us.
I could never entirely relate to them, I could never carry conversation with either of mine, at least no conversation about them – I could talk about myself, but never about them. I realized that today – everything I know about them was passed through something or someone: all their war stories, fears, mistakes, and anything dark or heavy – I saw it in a picture, or heard it from my parents, or noticed it from the way they walk, or I saw it in the things they do, that resemble the things most people do, to forget the things they’ve done. Nothing from them, they were quiet. I could only talk about myself to them - because they loved me - not because I had anything to say.
Some things I learned too young to understand them, like that my mother’s father drank – a lot – too much. The first time I heard it I was supposed to be asleep, I pretended to be asleep, but listened carefully when a shadow crossed my bedroom’s slant of light. Just outside my room, in the hallway, I heard my mom mention it to my dad, calmly, like it was something she had mentioned a thousand times. She had mentioned it, I’m sure, but I didn’t really listen until that night. Grandpa is a “drinker”.
It was never news to me that Grandpa drank, but the thought changed as I got older.
Grandpa is a drinker – I drink things, am I a drinker? Isn’t everyone a drinker? Yes. We’re all drinkers.
Grandpa is a drinker – I’ve heard that in church and on TV, it’s a bad thing. Is Grandpa a bad person? No. Drinkers aren’t all bad, even though I think that’s a bad thing.
Grandpa is a drinker, but that’s the only bad thing he does – and he smokes – but those two are the same kind of bad, right? Yes.
Grandpa is an alcoholic – that is very bad, I know that from school. I know that from church.
Now I know the weight of that word, the screeching, sobbing substance of that word; I have seen the toll of that word on his brittle body, on Grandma’s quiet sadness, in my mother’s worried way of living – her constant unseen fear, the fear she has to fight every morning and tuck away every night, to stay alive. I have not seen the horror of that word but I have seen the effects – and I hated him for it. I hated him when I understood what he was. I hated him for the fear he put in her, in my brilliant undefeatable mother, and the fear he put in Grandma, and the rest of his kids. How dare you do that to them? You. You were supposed to protect them, not become someone else at night, an angry drunken monster that kept them up and gave them nightmares. You are the one who protects them from monsters, how could you become one – how could you – make them so afraid?
 It hit me one day, why he made them so afraid, when I learned another thing about Grandpa. As usual, it did not come from him, it came from my mother. It was overheard again, in the same hallway, “…apparently he was serious…I know…I’m worried…I guess it makes sense, he has nothing to live for without my mom…he’s alone.” As she continued I realized that Grandpa had said he was going to kill himself. So then I knew how he could do what he did, how he could make them so afraid.
He made them afraid because my silent Grandpa – in his leathery seemingly impenetrable shell – was  afraid. He didn’t do it to hurt his wife and his kids, he did it because he hurt. He didn’t do it to give them nightmares, he did it to fight off his own, they must have come every night – unrelenting demons, that dragged him back to battle with their claws, made him feel like a failure – feel it all again, and again, and again. He must have done it to escape from the demons, not to become one. He wanted to feel something, anything, other than want or guilt or grief, and he could not find that solace in sleep so he found it in a bar. He was not unbreakable, and he wanted to escape the demons. I have not hated him since that day, and I will not hate him again.
My father’s father was the same in a lot of ways – quiet, strong, never talked about himself – he was different because he did not drink or smoke, he was extremely health-conscious, he was a doctor: a psychiatrist. He is dead now. He managed to lock up all the little devils of war while he was alive – except one. I never saw the little devil, but my dad saw it all the time when he was growing up.
From time to time Grandpa would pull his finger back, quick, then his eye would twitch. He did that every day for years and years, he did it until one day my dad asked him why he did it.
“Do what?”
“That thing, dad, with your eye and your finger.”
“I don’t know. I don’t know what you mean.”
“That thing! You pull your finger back and you wink!”
Grandpa thought about it until dinner the next night, when he told my dad, “I was checking the safety.” He meant the safety on his gun. He was still, decades later, checking the safety; so he didn’t accidentally hurt someone or get hurt – so he could turn it off, so he didn’t get killed – so he could be ready, so his friends didn’t get shot in front of him – so he could kill another boy who had a gun, with that gun he was checking over and over again every second of every day. That habit that had stuck to him for decades, that habit that he didn’t even notice, was snuffed out that same day when he figured out what it was. So, all that was left were the nightmares, every night. I learned about those from my dad.
My smart, sweet Grandpa who slept in a rocking chair, and listened to countless patients tell them what kept them up at night, was so profoundly affected by the war that he twitched every second and slept through it again every night. He was taught to keep those things hidden, and so they ate away at his insides and only came out in tiny, involuntary movements, until he forced them to stop. He was so tough, like he was supposed to be, but he was so undeniably human. I am so sorry I never knew.
I never thought they could feel fear, a grandpa doesn’t get scared or sad I thought; but they do, they feel those things like I do. They are painfully human, like me, and I wish they had learned to talk about what scared them. To talk about the war. To talk about why they drank, or slept in a chair and not a bed. To talk about why they yelled, or why they twitched.  To talk about themselves. To talk.
They were not the steel giants of another time, they were the young boys who had to shut up and fight when their country needed them. They were like me, when they saw their friends die next to them. They were like me when they had to hide from firearms and hide their own fear. They were capable of every feeling and they felt every emotion beat against them until they collapsed into themselves every night, or into a drink, or into their sleep. They sunk, inside themselves, like they were taught. So these old men that I would never understand were not so different from me once, and I know that now, and I’m sorry I didn’t know it sooner.